William Blake, Remote by the Sea

87 points
1/21/1970
3 days ago
by occurrence

Comments


srean

Blake's and Durer's artwork are two of my favorites.

What I find so teasingly difficult to explain is that despite being so different there is some shared aesthetic value between them that I cannot quite pin down in words.

Perhaps their strong geometric undertones and a certain muscularity in them.

3 days ago

B1FF_PSUVM

Toss in some Bosch for flavor.

Those three guys could wipe the floor with most of modern art.

(The Blake painting is tucked away in an almost-attic of the now "Tate Britain" old building in a quiet out of the way street, while the "Tate Modern" blockhouse graces the Thames south bank, mostly filled with glitzy trash. So it goes.)

3 days ago

srean

Thanks for introducing me to Bosch. I immediately recognised many of his works, but the his name had not registered.

3 days ago

hammock

Non-“art first”, cosmological (in the religious sense), sketch-forward detail as principal expressive form… I mean one studied the other right? And the author of this piece wrote about Durer as well

3 days ago

timoteostewart

Agree with your observation. Blake and Durer both worked in printmaking. I wonder if the processes and aesthetics there resulted in some detectable affinity between their works.

3 days ago

self-portrait

There is Jim Jarmusch cinema called "Dead Man."

The protagonist is William Blake - boards a train to the town of Machine.

The Milton prints, Songs of Innocence, plus the illustrations of the Book of Revelations were pre-Romantic steel engravings.

I regard Blake to be this anti-positivist character in the 19th century.

Anti-Kant, anti-Newton.

2 days ago

s5300

[dead]

3 days ago